Retiro: Art, architecture, history and hidden gems

At a glance

Retiro: Art, architecture, history and hidden gems is a 3h small-group experience in Buenos Aires, Argentina, operated by Tamara Kerzberg. Travellers rate it 5.0 out of 5 across 25 reviews on Viator and Tripadvisor. Prices start from $70 per person, and free cancellation is available. Included: guide.

Quick facts

Duration

3h

Group

Small group, up to 12 travellers

Languages

English, Spanish

Pickup

Meet at the start point

Confirmation

Instant confirmation

Ticket

Mobile or paper ticket accepted

Cancellation

Free cancellation (see policy)

Overview

Itinerary

1. Stop 1 · 15m

   We begin in front of the Kavanagh Building. Here we introduce ourselves and I provide context about the neighborhood and its importance within the world of art and architecture in Buenos Aires. I share the famous legend surrounding the construction of the Kavanagh and talk about the building as a piece of cultural heritage.

2. Stop 2 · 20m

   At this stop, we focus on the sculpture Nosotros Afuera by Federico Manuel Peralta Ramos. Through this work, I talk about his eccentric personality, his belief that art and life were inseparable, and his connection to the Di Tella Institute in the 1960s. This stop helps us understand the experimental spirit of the period and of this iconic Buenos Aires artist, and how Retiro became the stage for a bold and provocative avant-garde.

3. Stop 3 · 40m

   We visit a contemporary art gallery where we explore a current exhibition. Here we analyze the artworks and reflect on how they engage with social, political, and economic contexts. I also explain the role of galleries within the art system: how they represent artists, how art fairs and the market function, and how galleries differ from museums. When possible, we talk with gallerists or curators, creating a close and dynamic experience.

4. Stop 4 · 20m

   In front of the former Di Tella Institute, I explain why this place marked a turning point in Argentine art. We discuss the international context of the 1960s, the Cold War, and the cultural influence of the United States in Latin America. I introduce the so-called “Di Tella Generation” and recount key episodes and milestones of the artistic avant-gardes of the 1960s. This stop helps us understand how art, politics, and power are always deeply connected, and how Retiro was the heart of that cultural revolution—and how it is once again becoming a site of artistic experimentation today.

5. Stop 5 · 40m

   In a second gallery, we delve into other contemporary proposals. We analyze materials, scale, curatorial decisions, and modes of display. We reflect on how current artists engage with—or challenge—the Argentine modern tradition and the experimental legacy of the 1960s. This is a moment to train the eye and to understand that every exhibition is also a position taken within the art field.

6. Stop 6 · 20m

   We end our walk in this 1891 building, inspired by the great Parisian department stores. In the late 1940s, its dome was painted by some of the most important artists in the country. Among them, Antonio Berni, together with Spilimbergo, Castagnino, and Urruchúa, created the monumental murals that now crown the central space.
   Standing beneath this dome allows us to understand that art does not belong only to museums: it also inhabits commercial buildings, transitional spaces, hidden galleries, and everyday places. Retiro, though residential and financial in character, holds layers of artistic history within its architecture. From these murals to the avant-gardes of the 1960s and contemporary art galleries today, art appears woven throughout the neighborhood and its history.

Meeting point

Good to know

• Service animals allowed
• Public transportation options are available nearby
• Suitable for all physical fitness levels

Cancellation policy

For a full refund, cancel at least 24 hours before the scheduled departure time.

Frequently asked questions